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Lesbian period pieces seem to be everywhere these days. Since the release of 2015’s beloved Carol, there have been at least 15 other lesbian period films and several television shows; including The Handmaiden (2016), Colette (2018), Portrait of a Lady on Fire (2019), and Summerland (2020). Many of these films are appealing to viewers because they’re shot with an arthouse aesthetic, and offer a sense of empowerment to queer audiences who are not often represented on-screen. Yet Lesbian period pieces frequently cast straight, white actresses and often end tragically to fit the formulaic queer film narrative. Here’s our take on exactly why there are so many lesbian period pieces, and why it’s important not to get too stuck on any formula.
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